19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835

19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835
19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835
19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835
19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835
19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835
19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835

19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835

Experts in Finding Rare Tribal Art for Your Collecting Interests. AN ANTIQUE WEALTH ATTRACTING & LIGHTNING PROTECTION AMULET. FOR WOMEN FROM THE ANDES OF BOLIVIA.

TM10835 is a suwi sipja (also phata samiri, phata illa, and plata ispalla) of Kallawaya tribal origin from the Bautista Saavedra Province northeast of Sacred Lake Titikaka. There is ample evidence of ritual anointment with sacred llama.

The hand holds a silver coin for prosperity, tightly grasped with the thumb and fingers; the very tip of the forefinger shows old damage. The wrist bangles protect the carrier from lightning. Double bracelets indicate amulets carried by women. One of the bangles is enhanced with little dots within incised lines.

One side of the hand appears to have engraved eyes. The other side has fine incising in the form of right-angles. Itinerant Kallawaya medicine men provided these interesting sculptures to women throughout the Andean highlands. This is a relatively thick and heavy example with beautiful sculpture; even the fingernails are depicted. Was collected between the mid-1970s and the late 1980s.

This stone amulet, of 19. Century age, is from our Centro Cultural Andino Museum collection. Inches by 1 7/16 inch by 7/8-inch. The amulet weighs 25 grams. Currently, regular air-and-ground service to the U. Requires 1 to 4 weeks depending on periodic delays in Miami due to policy changes with Homeland Security, TSA, U. We are not in proximity to the only open post office. AND INCLUDE TRACKING NUMBERS FOR YOUR CONVENIENCE. PREHISTORIC, PRE-COLUMBIAN, ANCIENT = Before around A. 19th CENTURY = 1800 to 1899. TURN OF THE 19TH CENTURY = 1890 to 1910. EARLY-20TH CENTURY = 1900 to 1933. MID-20TH CENTURY = 1934 to 1966. LATE-20TH CENTURY = 1967 to 1999.

TURN OF THE 20TH CENTURY = 1995 to 2005. EARLY-21ST CENTURY = 2000 to Present. ANTIQUE = Over 50 years old. VINTAGE = Over 30 years old.

CONTEMPORARY = Made in the last 5 years. CIRCA = Approximately/around/within a few years of. ANDES AMAZON TEXTILE "CONDITION" TERMS. Terms used to describe the physical condition of textiles can be subjective and vary greatly from one observer to another.

What some others call "mint" condition, we call "good"; what others call "excellent" condition, we call fair. Following are explanations of the terms we use.

Unused -- as if recently removed from the loom. No wear or patina of any kind. These textiles may have "nubs" or even loose, uncut threads from the weaving process.

EXCELLENT = Usually only lightly used, often guarded or stored for many years. There may be extremely light wear, patina and sheen from use. There may also be nearly undetectable light staining or soiling from use.

The colors may have muted ever so slightly due to age or exposure, often improving the beauty of a textile. VERY GOOD = Usually lightly or only periodically used. The surface may be very lightly but evenly worn. There are no tears or distracting holes. There may be minimal surface discoloration.

Vintage textiles may have lightly darkened yarn from use and age (staining and soiling). Overall, the textile will be in outstanding condition and at a displayable distance will appear perfect. GOOD = Usually moderately to well-used.

There may be light to medium staining, isolated or throughout. Some parts of the textile may be worn or have very small holes, occasionally exposing hidden thread yarns. Edges may be lightly frayed.

Surface discoloration due to age and exposure is common but often improving the appearance of a textile. There may be minor, light or isolated, dye run. Damage will not distract significantly from the textile when displayed. FAIR = Either well-used or moderately abused. Extensive wear is common as is some "bleeding" or dye run.

In most 20th century cases, the colors have considerably faded. Sections of fringe or tassels may be missing.

Textiles may be in otherwise excellent condition but with a single isolated sector of damage, that greatly reduces its aesthetic appeal. Most vintage tribal textiles on the market are in FAIR TO GOOD condition. POOR = Showing evidence of extreme usage and damage.

These textiles do not display well and are primarily useful as study specimens or examples of sometimes very rare textiles. We believe the world deserves to improve.

We believe in a higher, aspiring destination for humanity. We know that conflicts decline through mutual respect. We know that understanding our differences leads to joint wellbeing.

We trust that our Mother Earth and our Universe provide unlimited resources for every man, woman, and child to live in peace, happiness, and love. As stewards of the human race, our intrinsic responsibility rests on improving our world as much as possible. "Native" groups, also known as tribal folk, original residents, indigenous people, aboriginals, First Nations, traditional ethnicities, autochthonal societies, etc.

Dominated human existence until recently. At some point, of course, we all shared common ancestors regardless of current culture, creed, or color. However, in the past 500 years or so, thousands of unique tribal groups disappeared due to misunderstanding and impudence. Uncontrolled aspects of colonialism, ethnocentrism, racism, and politicization led to the direct and circuitous destruction of numerous native groups, each representing a valuable resource for our planet. Over 6000 of the nearly 7000 languages currently spoken face danger of extinction. The vast majority of those constitute ethnic indigenous tongues. We believe in cherishing and carefully supporting the very few "Native" groups that remain on earth, even while standing on the brink of losing them.

Disconnecting with indigenous spirit, wisdom, and traditional knowledge represents a loss for all of us. In many cases, physical creations represent our only resources for understanding past human beliefs and aspirations. For more than a quarter-century, the professional interests of those behind ANDESAMAZON remain dedicated to documenting "traditional" South American indigenous cultures, primarily through their material culture.

Our field studies lead us to some of the most remote people on the continent. Through the years, we witnessed Native Americans existing nearly precisely as their ancestors did in prehistoric times and others jumping from 18th-century existence to 21st-century reality in the blink of an eye. The benefits of our ethnographic investigations manifest as valuable data related to linguistics, cultural history, ethno-environmental relationships, socio-cultural organization, cosmology, mythology, spirituality, and material culture. Our holistic approach to understanding the past through material arts contributes accurate information about those who created those pieces.

Beautiful and exciting objects can enhance one's environment and provide invaluable knowledge regarding different ideologies, unique ways of life, and past or nearly extinct traditions. ANDESAMAZON suggests sharing with companions, friends, and especially children, whatever understanding, knowledge, and insights you obtain from our objects. In this small way, we feel inspired to preserve something of native cultures and make the world a better place. Thank you for working with us. THANK YOU FOR YOUR INTEREST AND SUPPORT.

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19th c. ANDEAN INDIAN WOMAN'S PROSPERITY & LIGHTNING PROTECTION AMULET TM10835